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Chris Wood

The Blinkin' Buzzards

0	LONDON: The Kalamazoo Klub @ The King's Head
P	Friday 13th April, 2012
N	8:30pm

Event information

Chris Wood started out as a choirboy and much of his music bears the influence of those years spent with the likes of Bach, Handel, Gibbons and Boyce: he describes the album Handmade Life as "church music with drums."

Self-taught on guitar and violin, he is a lifelong autodidact -- and his independent streak shines through in his composition and studio work. Always direct and unafraid to speak his mind, his song writing has been praised for its surgical clarity. His work is typified by his trust in the space music can create and a gift for lyrical understatement. He cites his major influence as "Anon".

He has worked with Billy Bragg, Andy Gangadeen, Andy Cutting, Jean François Vrod and Hugh Lupton (Wood and Lupton's "One in a Million" won Best Original Song at the BBC 2 Folk Awards in 2006). Recently he has worked alongside Martin and Eliza Carthy and others in The Imagined Village: "Cold Haily Rainy Night", performed by Wood and Eliza Carthy, took the award for Best Traditional Song at the Folk Awards in 2008.

He set up R.U.F Records in 1992 and this label continues to carry his catalogue. He also founded The English Acoustic Collective, a movable feast of musicians, writers, photographers and choreographers who look to England's indigenous arts as their inspiration. His first solo album, The Lark Descending, was released in 2006 to wide acclaim. “A lyrical, pensive album ... possessed of a timeless quality.” The Observer Music Monthly

In 2009 his album, Trespasser, took on the idea of enclosure: spiritual, intellectual, cultural and physical. Billy Bragg writing in The Independent said “Come Down Jehovah, is a measured statement of atheism that puts Dawkins to shame!” Wood went on to receive "Album of The Year" and “Singer of the Year” from BBC Radio Two.

He has been more reticent about the genesis of Handmade Life -- but the material clearly stems from a desire to explore a less human-centered world, and a world more engaged with the actual than the virtual.

"It's all the little things are what we find that matter now that the circus has left town".

"Chris Wood has developed into an exceptional songwriter …venturing into areas that few artists would dare tackle."
The Guardian ★★★★

"Wood"s tongue is truer than most."
The Times

"It really needs to win an award. The band is a marvel and Wood's unpretentious singing carries real weight."
The Independent