PETER BRÖTZMANN / KEITH TIPPETT / STEVE NOBLE - TWO DAY PASS

Event information

Despite having played together in various combinations, Keith Tippett and Peter Brötzmann's collaborations have sadly been left undocumented beyond a couple of bootlegs and long-out-of-print compilation releases. These shows will be a rare opportunity to see them together for their first performance in quite some time.

Brötzmann and Noble have found a natural affinity over the last few years and those lucky enough to have caught any of Tippett's previous performances at OTO will need no further encouragement. These dates provide an unmissable grouping of three singular musicians who have never ceased refining their formidable powers.


PETER BRÖTZMANN / tenor and alto saxophones, tarogato, clarinet

Peter Brötzmann is one of the most important and uncompromising figures in free jazz and has been at the forefront of developing a unique, European take on free improvisation since the 1960s.

Brötzmann first trained as a painter and was associated with Fluxus (Participating in various events and working as an assistant to Nam Jun Paik) before dissatisfaction with the art world moved his focus towards music. However he continued to paint and his instantly recognisable visual sensibility has produced some of our favourite LP sleeves as well as a number of gallery shows in recent years.

Self-taught on Clarinet and Saxophone, Brötzmann established himself as one of the most powerful and original players around, releasing a number of now highly sought after sides of musical invention including the epochal 'Machine Gun' session in 1968 - originally released on his own Brö private press and later recordings for FMP (Free Music Production) the label he started with Jost Gebers. Brötzmann's sound is "one of the most distinctive, life-affirming and joyous in all music" and he has performed with almost all of the major players of free music from early associations with Don Cherry and Steve Lacy to regular groupings with Peter Kowald, Alex Von Slippenbach, Han Bennink and Fred Van Hove, the Chicago Tentet (Mats Gustafsson/Joe McPhee/Ken Vandermark and more) and various one-off and ad hoc associations with many others including Keiji Haino, Derek Bailey, Evan Parker, Anthony Braxton and Rashied Ali.

STEVE NOBLE / drums

Steve Noble is London's leading drummer, a fearless and constantly inventive improviser whose super-precise, ultra-propulsive and hyper-detailed playing has galvanized encounters with Peter Brötzmann, Derek Bailey, Matthew Shipp, Ishmael Wadada Leo Smith, Stephen O'Malley, Joe McPhee, Alex Ward, Rhodri Davies and many, many more.

In the early eighties, Noble played with the Nigerian master drummer Elkan Ogunde, Rip Rig and Panic, Brion Gysin and the Bow Gamelan Ensemble, before going on to work with the pianist Alex Maguire and with Derek Bailey (including Company Weeks 1987, 89 and 90). He was featured in the Bailey's excellent TV series on Improvisation for Channel 4 based on his book ‘Improvisation; its nature and practise’. He has toured and performed throughout Europe, Africa and America and currently leads the groups N.E.W (with John Edwards and Alex Ward) and DECOY (with John Edwards and Alexander Hawkins).

KEITH TIPPETT / piano

Keith Tippett has become the father figure of postmodern jazz piano in the UK. The only dispute in such a statement is the word ‘jazz’; used here to describe a music extending way beyond the bounds of music rooted in “the great American moment”. Keith Tippett has created and fashioned a form of spontaneous composition that finds its setting in totally unique solo piano studies via quartets, sextets, octets and large scale interactive jazz orchestras, fusing compositional arrangements with detailed instant improvising (Centipede, Ark, the Georgian Ensemble and Tapestry Orchestra). The breadth of his activity trips the imagination into a massive canon of possibilities and resolutions. For example his work with Louis Moholo-Moholo and the other ‘Blue Notes’ musicians exiled from South Africa in the 1960’s, plus his on-going commissions in contemporary music composition including the stunning ‘Linukea’ Piano Quintet, his key role in the legendary decades-driven quartet, Mujician with Paul Dunmall, Paul Rogers and Tony Levin, and finally, at the heart of it all, the essential core duo of Couple In Spirit with Julie Tippetts. The conclusion is starkly obvious, we are faced with a phenomenon way, way outside any kind of regular understanding of British ‘jazz’ and improvisation.

"Power, beauty and musicianship" - Chris Searle, Morning Star

"It may turn out to be that the 3 MUJICIAN (solo albums) made for FMP in the 80's will be regarded as among the most self consistent and beautiful improvisations of the decade and a significant re-programming of the language of Piano " - The Penguin Guide To Jazz.